George Ellenbogen | The Rhino Gate Poems
Category: poetry books| October 18th, 2008
George Ellenbogen – The Rhino Gate Poems
Author: George Ellenbogen | ISBN: 1550650793 : 9781550650792 | Illustrations: b/w photos & illustrations | Format: Paperback | Size: 155×230mm | Pages: 94 | Weight: .155 Kg. | Published: IPG (VĂ©hicule Press) – January 1996 | List Price: 9 EURO | Availability: In Print | Subjects: Poetry texts & anthologies
Please click the cover to enlarge.
In this new collection, George Ellenbogen presents a canvas that includes a variety of inhabitants–the restless wife of an East African planter, a Yugoslav victim of brutality, a Holocaust survivor, a Lebanese immigrant, and an aging hockey goaltender–all of whom come to realize that in exploring the trauma of places they considered their own, they are formulating their own exile.
George Ellenbogen’s last book, Along the Road from Eden, was published by VĂ©hicule Press in 1989. Allan Brown, writing in the Whig Standard Magazine called it “a powerful and disturbing book [with] moments of wild comedy.” A collection of Ellenbogen’s poems was published in Paris in 1997 by Harmattan.
When gusts spread against the glass
on the Orient Express to Zagreb
snow separates in alphabet,
the vowels clinging to glass,
consonants slipping into drifts.It must be this way for the howl
to flatten a summons against the pane,
the moaning against the arms
of night pushing it beneath
unbroken meters of the train.Inside one hand reaches for coffee,
the other sleeve reaches the table
armless, turning in circles
like a pendulum raising questions
as the train turns through the foothills.It was a Serb. Or was it a Croat?
who came out of a night like this
with candlesticks, something in a bag
and she was there, something
between the doorway and roador was it the bedroom and kitchen?
And he lowered to her as if
to leave something behind, a kiss
or something more memorable-we
always misunderstand-and her armwas in the snow, possibly on a night
like this with less to understand
than ice caking on glass
over a broken toothed moan
in alphabet that never shapes.
George Ellenbogen
a native of Montreal, Canada, studied literature at McGill University and Tufts University in Massachusetts. Between degrees, he worked in the Arctic and lived for extended periods in Mexico and in England. Until his retirement in 2004, he taught poetry at Bentley College in Massachusetts. His poems have appeared in several anthologies and in magazines such as The Literary Review, Partisan Review, Boulevard, Revue Europe and Queenâs Quarterly as well as in the following collections of his work:
- * Winds of Unreason (1957)
- * The Night Unstones (1971)
- * Along the Road from Eden (1989)
- * The Rhino Gate Poems (1995)
- * Portes aux rhinos et autres poemes (1997)
- * Winterfischer (2002)
- * Morning Gothic (2007)
Ellenbogenâs work has been supported by the Whiting Foundation, the Montalvo Foundation, the Karolyi Foundation, the Virginia Center for the Creative Arts, the Canadian Department of External Affairs, Gesellschaft fur Kanada Studien, the Canada Council, United States Information Service, and Canadian International Cultural Relations. He has read his poems on both sides of the Atlantic, was featured in a 1990 documentary, âGeorge Ellenbogen: Canadian Poet in America,â and in a graduate dissertation, âPostmodernism and the Travel Motif in the Poetry of Adrienne Rich and George Ellenbogenâ (Brigitta Wallenberg, University of Salzburg). He is also one of several poets featured in Jean Tobinâs Creativity and the Poetic Mind (New York: Peter Lang Publishing, 2004). An edition of his new and selected poems, Morning Gothic, is scheduled to appear in September 2007.
âEllenbogen is an exceptionally interesting poet, capable of mingling perpectives, shifts between the comic and the melancholy, specific landscapes and invented skylines, calm ironies and, on occasion, a hazarding of that rarest of feats nowadays, a plain expression of feeling.â -Robert Taylor, Boston Globe.
âGeorge EllenbogenâŠis a traveler among the poets. His verses emcompass entire continents â Africa, America, EuropeâŠEllenbogenâs landscapes are often landscapes of the imagination, fragments assembled into a composite picture. Ellenbogen establishes spaces which are partly moored in the facts of reality, partly in the realm of fantasy.â Hans-Christian Oeser, Dublin. Postscripts to Winterfischer, German edition of the Rhino Gates Poems.
Much more on George Ellenbogen can be found here…
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